库斯杜力卡的作品独特性乃基於二个面向：首先是充满具感染性的乐趣，其次是再再拒斥意识型态。这两项特质都提供给观者一种解放的经验。库斯杜力卡的影片绝佳地例示了罗兰．巴特（Roland Barthes）所谓的「欢愉文本」（text of bliss），并遵循了李欧塔（Jean-Francois Lyotard）的箴言：「对大叙事（grand narratives）存疑」。回顾之下，可以从库斯杜力卡所有的七部半剧情片（其中半部是他早期的电视剧《铁达尼酒吧》［Buffet Titanic］）中看出这番倾向：他在影片中持续地反对、争辩、悖逆种种意识型态的运作──尤其是一九八○、一九九○年代期间，强加於东欧地区，雷厉风行和被再援用的那些意识型态。与来自该区域的其他\多电影导演一样，库斯杜力卡居在几乎逾矩的态度和百无禁忌之间取得的巧妙政治平衡，使他备受赞扬──而有时...(展开全部)

作者真诚记录了大学毕业后十年间的经历、观察和省思。这批随笔，或记叙“趣事”，或主题思考，或对生命难言之痛的幽黯表达，皆是作者沉浸生活的即时性书写。作者直面日常生活，念念不忘将反思和审美注入日常生活，使自我更加健康、美善。

(Book Jacket Status: Jacketed)Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In...(展开全部)

"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. Notes From Underground , ...(展开全部)

(Book Jacket Status: Jacketed)Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In...(展开全部)

"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. Notes From Underground , ...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

透过地下室人的自我絮语，展现对理性世界的质疑，揭露人性深处的矛盾，道出现代人的精神困境与存在焦虑。

2018年12月25日凌晨，一辆列车突然从轨道交通调度中心的监视器上消失。警方接到报警，称地铁被劫持，车上有炸弹。更令警方震惊的是，罪犯发出预告，透露市区即将发生多处爆炸。 另一方面，地铁上的乘客们，也面临一个匪夷所思的任务。罪犯在列车广播里要求他们玩一场九十分钟的游戏，在十号线回到起点前，他们需要找到某个“人”才能安全离开。 绑匪为何劫持地铁？ 为何选择十号线下手？ 登上地铁的乘客有什么秘密？ 市区爆炸的背后，是否另有阴谋？ 绑匪要找的“人”和这一切又有什么关系？ 地上与地下，和时间的竞赛同时开始了……

Review "Centered around the charismatic figure of Colin Rowe, an English architect and former student at the University of Liverpool, a critic and theorist of the generation of James Stirling, Colin St. John Wilson, Robert Maxwell, and Alan Colquhoun, The Texas Rangers reconstructs the peculiar conjuncture of high formalism, modernism, revived historicism and regionalism that i...(展开全部)